Euro Tour Wrap Up!

 

My first weekend in Europe started off in Stockholm, Sweden for Streetstar Festival 2012. I arrived 4 pm (January 26th) in Stockholm, there was no sunlight and it was pretty damn cold. Even though the weather was so brutal, I wasn’t letting it stop me from having a good time. My cousin El Nino arrived a few days before I did. I could see in his face that he wanted to go out for the night. So we went to the opening party of Streetstar at Fashing. It was chill and dancers were definitely doing their thing. We decided to hit another party though, where the homie Boogie Blind was spinning. We took a cab to the venue, and thought we were lost. It kind of looked like we were getting set up for death when we arrived haha! Then we actually ran into Mode 2, Vandalz in Motion (OG Sweden writers), and Hanna from WeSc as we got out of the cab. I guess they were just getting there as well. We checked out all three rooms, but it was still a bit early in the night. We went upstairs and checked out some artwork by Vandalz in Motion. Official nonetheless! We went back downstairs and Boogie Blind was straight murdering it! It was getting late and the party was about to end. We ended up taking a cab back to the hotel, and wasting all of our per diem for the event (equivalent to $110). We didn’t know they had fake taxi services, so that was pretty much a fail.

 

The next day was the first official day of Streetstar. I got to the venue, and pretty much had to get ready for a long day of competitions. Each bboy battle was about 8-10 minutes. It was only Jam One (Sweden) and I spinning for the battles. There were about 36 crews in the competition, so there wasn’t much time for cyphering. The venue had 3 different rooms where various competitions were going on. Everything from House, Waacking, Popping, Vouging, Bboying and Hip Hop dance competitions. It was in some arena in Stockholm. I had been at the venue pretty much all afternoon and all night. My day consisted of deejaying most of the day. Later on that evening, I had to spin at the after party with Pure P (Sweden) and Yugson (France). The party was really dope, and probably the highlight for me that day. Everyone did their thing, and had people getting their dance on. The party was over around 4 am. I was jet lagged and couldn’t sleep till maybe 6 am.

 

 

It was the final day of Streetstar, and I only had to spin 2 battles for the day. I was very tired from the night before. I went to the venue around 12 pm but I looked on the schedule… I didn’t have to go on until around 8 pm. You know damn well I went back to the hotel to rest. After my nap, I went back to the venue around show time. I got to catch some of the popping battles, and watched my homie Greentek kill it (like he always does). The bboy battles started not too long after. Jam One spun the first semifinal battle between La Smala (France) and another crew from Scandinavia. I spun the next semifinal battle, which included Above the Clouds (Sweden) and Funk Fanatics (Russia). The highlight was definitely Robin’s (Top 9) round. I don’t have the best memory of what exactly happened in that battle but Funk Fanatics advanced in the finals to battle La Smala. They did the judge showcases right after the semifinals. El Nino, Yarko, King Foolish, and Gaffar did their thing out there. The MCs would then do their own showcase. I guess they were really feeling the beat I was playing, and I’ll just say they really killed the freestyle. I was very impressed by the skills homeboys had. The final battle was underway, and I knew things would get heated. It sure did get heated haha. Funk Fanatics would end up winning the crew battle. I stuck around to catch the vouging battles after the bboy battles. I have only seen vouging battles on YouTube prior to this event. I would be lying if I said these battles aren’t entertaining. I definitely need to catch one of these battles again. These people were totally in character when they were doing their thing. I was dying in laughter, and definitely enjoyed watching some of the girls do their thing. It’s always time to party after the competition is done. The after party was in some weird building, and it was hot as a mutha in there. My two favorite dancers Niki and Martha (Sweden) know what time it is when it comes to the party. These two are definitely my favorite to party with. I have shared so many memorable moments with them. The night was going, and my shirt was getting sweatier. It was officially over for my Streetstar weekend, and I had to wake up just a few hours later to go to Slovakia.

 

It was my 4th time going to Slovakia in 2 years. Slovakia has sort of become my home in Europe. I had 3 workshops set up in 3 different cities in 3 days. The weather was crucial! Nearly 0 degrees, while back home it was about 50. My first workshop was in Zvolen, my second was in Zilina, and my last workshop was in Bratislava. I met up with my homies MG & MK. We headed out to Banska Bystrica before the workshop to the Bboy Spot Europe headquarters to get some work done for Outbreak 8. Outbreak 8 will definitely be one of the best jams that will happen this year, not just because of the actual jam but also because of the festivities surrounding it. You will not want to miss this one! My first workshop in Zvolen was the first workshop I have did overseas in 3 years. As most of you know, I have been concentrating more on my deejaying than anything. I had about 15 students that came through, and they were pretty much all experienced bboys. I break down my workshops into segments ranging from top rocking, intros/footwork/transitions, freeze combos, and freestyle/creative abilities. At the end of the day we all have different bodies and different ways of thinking. We all have the ability to be different. It was quite the workout for them, but it was definitely inspiring to watch some of them discover their own abilities. People tend to teach a set routine, but I feel people don’t really benefit from it as much because it limits what they can do with their own creativity. The only time I feel teaching a routine is effective is when your students are beginners. Beginners need more structure, as they don’t really understand the dance yet. I did a Questions & Answers segment to finish the workshop. They definitely asked some great questions, but I don’t really remember what they asked anymore haha. We went out to get some food after the workshop. I’m not so fond of the restaurants in Slovakia, so McDonalds and gummy bears were pretty much the best available meals for me. I could feel McDonalds taking a toll on me after just a few meals though LOL I definitely loved the beer selection out there though. If you’re picky about your meals, the best meal you can get anywhere is a home-cooked meal. MK’s mother definitely hooked it up for lunch one day.

 

The next day I had another workshop in a city called Zilina, about an hour away from Banska. Thanks to the homie Jaro (Hasta LA Muerte). Most of the students that attended the class weren’t bboys or bgirls. They were experienced dancers of other styles though. I had about 30 students in the class. I’m pretty sure it was the first time for many of them of taking a breaking class. I taught them just really basic steps, and a routine. Many of them were taking breaks before I even told them to take a break LOL It’s understandable though, because bboying requires you to use nearly every part of your body while most dances don’t. I’m not going to lie though; I was definitely sore after my workshop. My legs were burning and were very tense. MK, Jaro, & I headed to the spa, to get massages and hit up the sonar. It turned to a bit of a party, pretty funny at that. Some big ass dude came in and started showing off his taekwondo skills. It might have been one of the greatest things ever until he asked to spar with me. He could have easily just eaten me (pause).  Good luck to him and his future MMA career LOL I was getting tired, and I needed some rest to recharge for Bratislava. MK & I drove back to Banska to recharge for tomorrow. The first couple of days in Slovakia were very chill, but busy. I knew Bratislava would end that run of relaxing.  We drove to Bratislava for my last workshop (in Slovakia) at Hip Hop Fakulta. I had about 20 students, and the level was a bit higher. I would teach it based on how I taught the first workshop, concepts and freestyle/creative abilities. We were able to get a bit further in depth because we had more time to work around. After the workshop, we went to the homie Miniboj’s (Hasta La Muerte) crib. We chilled there for a bit, and decided to go out to this little lounge out there. The walk wasn’t that far, but it sure as hell felt like it was far. I don’t remember the name of the club we stopped by first, but I think it was closed. So we ended up hitting up this lounge, which was pretty cool. The deejays played everything from electro to funk to disco to hip-hop. Not something I would expect on a random night. Dude started playing some breaks, so peeps were rocking, but then it mellowed down. We went back to house to get some rest.

 

 

The next day we met up with Pablo, and basically walked around the center of Bratislava. We filmed a shout out for some jam in Slovakia, and that was pretty much all jokes. I had my chicken schnitzel for lunch. It was my first day off, so we didn’t really do much but clown on each other. I’m pretty sure they were clowning on me in Slovak. I’m learning their language though… I’ll surprise them one day.  We had a 3-hour ride to get to Prague the next day, so we just stayed in that evening. The next day we left to Prague, and I pretty much slept the whole car ride. I have trained myself to sleep on trips that require a couple of hours of transportation. It’s another one of my special talents. We got to the hotel, and settled in. We would meet up with MK’s brother and MK’s brother’s girlfriend for dinner. He took us out to some bar where it seemed like it was an LMFAO and Black Eyed Peas tribute night. That’s all I will say about that one.

 

The next day we left to the venue and met up with Lix. Lix is one of the organizers of “Bboy.CZ Vol. 2”. Definitely a good dude! Everything was in full effect, but first I had to do workshop before the jam. I put more focus into the deejaying, but I also left time to do a quick Q&A on bboying. I could tell they were really anxious to dance, and I was really anxious to spin. We started the event immediately after the workshop. I knew I had to warm up a bit, and get into my zone. I blessed them with the funk and some hip-hop, nothing too heavy though. It was a smaller event, but the energy is usually better at most of the smaller events I have spun at. When you’re closer to the people, it’s a lot easier to vibe off their energy. I definitely felt the energy that day. Peeps were cyphering for nearly 3 hours straight, and they all seemed to enjoy the music. They selected 8 peeps to battle in a cypher, and they began the prelims for the 2 on 2. It didn’t run too long, and things were definitely moving. I don’t really remember the names of a lot of the bboys, because I had just met them all that day. Czech Republic has a growing scene, and like most of places there is definitely some up and coming talent. The battles were heated and definitely hype for both the 2 on 2 and cypher battle. It came down to two bboys to battle 10 rounds after the battle in the cypher. Those dudes were going hard, and I was surprised they could even go on after all the rounds from earlier that day LOL I don’t remember who won, but I’m sure they were happy it was over. Peeps definitely showed a lot of love, and I had no choice but to show some love back. It was a great for Lix and the rest of the staff to show the importance of a deejay at a jam. I am very thankful for the opportunity.

 

 

The next day I set up a photo shoot with Lix, whom is also a professional photographer. It was definitely not the day to do a photo shoot outside, but hey! You got to pay your dues sometimes. Society had hooked it up with some gear for the trip, so basically in return I shot some international flicks for them.  I also took the opportunity to be a tourist. The last time I was in Prague, I was with my two homies Keebz and Kuriouz. We basically just walked around the whole city getting lost, and had no idea of what was what. This time around I had a tour guide, so it was easier to learn more about the history. The only problem we had was that it was probably coldest day of the whole trip. So we were definitely rushing to get things done. We shot some flicks at the Prague castle first, and most of the pictures came out super dope. Prague is one of the most beautiful cities in the world, so I’m sure any picture would look dope with Prague’s setting. We went out to lunch, and I tried one of the traditional Czech meals at some restaurant near the Prague castle. It was some sort of honey smothered Ribs, and it was pretty damn good. I also tried out the original Budweiser beer called Budvar. As I expected, it was a lot better than the American Budweiser. For those of you don’t know, the Czech Republic has some of the best beers in the world hands down!  After lunch, we finished our shoot at the Charles Bridge (which is the most famous bridge in Prague). It was right off the river, so we all nearly froze to death. We knew by then it was enough, and we headed back to hotel. Later that evening we met up again at Lix’s spot. He had his Wii set up, and he had an MPC. I kept myself entertained with the MPC for the most part. You know me.. I was killing it! LOL

 

 

The last day in Prague we went to a dance studio and practiced with the Survivors. The Survivor’s are probably the one of the most established crews in the Czech/Slovak area. I felt off, and I wasn’t really in the mood to dance. I tried to vibe out, but it was just one of those days. It was dope to break amongst some other bboys though. I chilled out, and just relaxed after a few go downs. We built with the guys for a little bit, and we went back to pretty much call it a night. MG and MK had to meet with Red Bull early the very next day. I watched the super bowl online, and boy I wish I just went to sleep. It took me like an hour to find a link online since the MSN page wasn’t working for me. The Patriots lost to the Giants again! The Giants definitely wanted it more. I still got my Pats back though. I got a little bit of rest before we met with the Red Bull peeps. We went to the Red Bull offices; MG & MK handled their biz. We headed back to Bratislava to chill for the rest for the day. Spunky aka Machete was trying to get on me, but he didn’t know that’s what my crew does all the time. I’m pretty sure he hates me after clowning on him so hard haha

 

The next night I had to spin at this night called “Street Spirit” at Nu Spirit Club, which Dj Piggo hosts. I knew the party was going to be crazy, because the parties are always crazy in Slovakia. I don’t think I have ever been to crazier parties LOL I did it up that night, buying a big bottle of champagne and Grey Goose to get the party warmed up. I’m not going to lie! The party was full of dancers from all over Slovakia. The vibe was right, and I kind of did my thing on the wheels. I have had better nights, but as long as people kept dancing then that’s what counts. The club closes around 4 or so, so it was a long night. I played some classics and threw in some Dilla (R.I.P) produced joints. It was Dilla week, but it is pretty much Dilla week every week. Piggo took over near the end, and my work was pretty much done in Slovakia. The next day I think we were all worn out, and tired. It was my last day before I left to France.

 

 

Pablo picked me up, and his gas froze on the way to the bus station. I couldn’t help but to laugh, but luckily enough we left early so I still had time to make it for my bus to Vienna. I knew I had a long day of traveling ahead. I had an hour bus ride to Vienna, which wasn’t so bad. Then I had to wait at the airport for about 3 hours before my flight to Paris. I was starving, and my options were limited. So I ended up eating McDonalds, which made me feel sick. I went to my gate, and chilled there for a bit. The flight was about 2 hours and 30 minutes, which wasn’t so bad either. It was just the fact I had to carry my big ass suitcase and two backpacks around. So if you do end up traveling a lot one day remember to pack light haha I got to Paris about 2 hours before my train ride. I chilled at the train station, and I ran into All Area Crew (Japan). They had a 16-hour trip, so they ran off to smoke their cigarettes. Then shortly after I ran into Teembo from Predatorz (Russia), it was my first time meeting him. Definitely a cool dude! We were pretty much all confused as to what train we were taking, but luckily I was smart enough to ask an employee to help us out. We had a 3-hour train ride to Nantes from Paris. I saw Focus and A.T on the train, so that was a good sign that were on the right train since they were guests at Hip Opsession as well. I ended up having to change my seats 3 times, and I couldn’t even get mad. I thought you could sit anywhere you wanted LOL My e-ticket for the train was in French, so I didn’t know! I rested just enough before we made our way into Nantes. The Hip Opsession staff met us at the train station, and greeted us with some goodies. They took us to the venue to get some food. I chilled out with Ken Swift and Spin (UK) for a bit, and left to the hotel to freshen up. I heard the pre-party was really dope last year, so I made an effort to check out the pre-party this year even though I was tired. The vibe was pretty dope when I got there, but I just got too tired to even stay the whole time. Dj Cleon was definitely doing his thing though!

 

 

The next day was the main day of Hip Opsession’s “Battle Opsession”. I had to spin the bboy 1 on 1, bgirl 1 on 1, kid’s 1 on 1, and a 3 on 3 alongside Dj One Up. I will just say it was a very long day! We definitely put in a lot of work, in which we probably spun 5 hours each that day. I had to strategize on what to play, because I like to always play different at events. I don’t really like playing the same sets or even the same songs too often. For the most part I get tired of playing certain songs, so I have to retire them. I was really surprised at how long the general public stayed for the whole competition. There were a lot of bboys there, but most of the crowd there was just the general public. There were some good battles, and there were some bad battles just like most competitions. Hip Opsession is a quality event nonetheless. Niek (formerly known as Just Do It), Lil Kev (France), and Kirill made it to the finals for the 1 on 1. Movie One (Spain) and Narumi (Japan) were in the finals for the bgirls, and Beast Kingz (USA) battled Total Feeling (France) for the 3 on 3 title. Niek, Movie One, and Beast Kingz all won. I went out to this after party with 7 Dollars and Universal Alchemy. We went to a bar next door until the line died down, and ordered some food. It was the only place that had food at that time in the whole city. That made up for some of the waiting we did, because it was cold as hell outside. We got to the club around 4 am, and it was pretty weird. We made the best of it, but shortly after we headed back to chill at the hotel. We chilled until it was time to get some breakfast at the hotel (around 6 am). We pretty much ate all the bread at the hotel that morning, and I probably got about 3 hours of rest. I left for Paris a few hours later, and stayed with my boy Kareem (Sans Limite/Ready to Rock). I wasn’t trying to take a 3-hour train ride then fly for 10 hours, so we just kicked it at his crib. I was deadbeat by this time, and I was definitely feeling home sick. The next day I would home back to the states! The End!

10 Interesting Facts About Lean!

 

My first club gig was with Dj Spinna & Forrest Getemgump at the APT. Dj Scratch came through and killed it too. The legendary Lovebug Starski hosted. Salute to Gump & Spinna for that life changing opportunity!

 

After years of using my dad’s mixer, Dj Qbert gave me my first mixer. Now that’s love!

 

When I was 13, I would go to Ryan Leslie’s studio and watch him make beats. This was my introduction to music production…. well I haven’t really produced much since haha

 

I once tried battling Rahzel at beatboxing, but he looked at me nodded his head. It was a joke of course.

 

I have won at 4 events while djing and battling in the bboy competition. Beantown Breakdown 2006, United Styles 3, Enta da Cypha, and some jam Ivan did.

 

I once had a cypher with only Storm, Ivan, My dad, and Float. Some incredible things went down…

 

In my first bboy competition, I made it to the finals and lost to my cousin El Nino. He was 8 and I was 9. We in this for life!

 

The first event I ever spun at was Ken Swift’s “Raiders in the Lost Art”. Thanks Kenny!

 

The first big jam I went to outside of Boston was the Rock Steady Anniversary in 1997. It was.. ill!

 

I have 6 relatives that break, and 2 others that used to break. #BboyFamily!

 

 

Forever Roxin Rite!

"Photo by Still 1 - www.still1.com"

 

With years of hard work, and plenty of dues paid, Roxrite has accomplished an endeavor most bboys have only dreamed about: becoming a Red Bull BC One Champion. Rox has been in the game for over 15 years, and in that time has become one of the few to remain consistent.  Nonetheless he is one of the most respected in the game. Rox is known as the general and the scientist amongst the homies, and his track record proves it. When it comes to bboy competitions, there may not be anyone more accomplished and as strategic as him. Rox truly carries on tradition, as he’s also part of the legendary Renegade Rockers.  Even though he is one of the most accomplished bboys in history, he remains as one of the most humble I know.

 

Lean: I remember the first time I met you in person; it was at Freestyle Session 8 on the Queen Mary. Renegades were killing it! I truly appreciated the style you guys had. All of you guys were hitting some crazy ass freezes and transitions. I hadn’t fully developed my style yet, but my style was very similar to yours and D-Rock’s style. As years passed by, I got the opportunity to travel to different continents and build with you more. I have been in the game for a long time, but I always learn something new around you. I totally embrace the friendship amongst you and the rest of the Squadron fam.

 

Lean: How was it growing up in the scene in the Bay Area? How were the jams when you first started attending them?

 

Rox: Well I actually grew up outside the city, a little over an hour north of the city. I’m going to start off there, when I first started coming up this was the only place I could battle which was only at parties and dances. I was too young to go to the city for events. I can say it was a secluded scene with influence obviously from the city and crews like Style Elements and Renegades. Overall though coming up in the North Bay was dope, you had a very competitive environment. No one really knew each other too well so it kept that spirit alive. I also remember that practices were very private. Each crew had their own space so crews didn’t practice at the same spots because you didn’t want them to know what you had. You wanted to come out and surprise them. Once learning some history of the bay and the crews that came out of there I felt like we had big shoes to fill and a heavy torch to carry… Side Walk Breakers, Renegades, Style Elements, and Rock Force. It just always preserved a place for creativity in the art of bboyin. BBoys had to be well rounded to hold themselves up in the scene there.  You had to have some original concepts to stand out all while keeping it within bboyin. It was dope coming up in the bay. No place like it.

 

"Photo by Still 1 - www.still1.com"

 

Lean: Your first crew was Sub-4, could you give us a brief history behind Sub-4?

 

Rox: Yea SUB-4 is the first crew I got down with. My first mentor Ground Level started it in 93. Ground Level was put on by Sha 1, who taught him a lot of things about bboying. He got involved with the Zulu Nation that same year so he had that Hip Hop mentality of preserving the culture. It stood for Straight Up BBoys 4 Elements of Hip Hop. It had a lot of clout where I was growing up. That was the crew that had the illest cats. They had that street cred. I got down with them through battling in 96. I battled one of their top guys and took him out. Then I battled the whole crew basically by myself they smoked me. That’s how we ended up linking up. From there the crew grew even more. At one point we had up to 16 members, not only bboys we also had DJ’s, writers/artists, and MCs. We were all pretty young except for Ground, he was little older so he kept us focused. We started making noise in Cali in 98 going to events outside our area and battling. Up until about 2000 when people’s priorities changed.

 

Lean: How did you become part of the Renegades? What does it mean to you to be a part of the legendary Renegades legacy?

 

Rox: I got down with Renegades through Politix and Wicket. They had seen me at events in the bay. At Bboy summit 2000, Politix saw me battle 2 guys by myself and after that he approached me about getting down. I had said no at first because I was just focusing on my crew Sub 4. For a few months I didn’t see him by mid-year my crew wasn’t as active as I wanted to be. Paul and I stayed in touch and eventually I linked up with them and started reppin’ the crew. To me it’s an honor to be a part of such legendary crew. I mean they’ve been around since the 80s and back then they had some hard hitters. Then you have the 90s generation with Jazzy J, Wicket, Sway, Manny Styles. I mean the list goes on. To be apart of that is major and on top of it to rep for a crew that’s from the same area I grew up at. Even doper!

 

Lean: I heard you were training with Ken Swift, could you explain how that was and what that meant to you?

 

Rox: Actually I never really got the full opportunity to train with Swift. Ever since I met him in 99 he was always very open to giving me pointers. I always took his pointers to heart and applied them to my dancing. I would hit him up through email for advice and he was always kind enough to get back to me and drop gems. Honestly it was just an honor to even have him get me tips. Such an inspiration.

 

"Photo by Still 1 - www.still1.com"

 

Lean: When you decided to make bboyin your fulltime job, did you have a bunch of gigs lined up or was it something you just decided to do at a certain moment? Did your family support your decision?

 

Rox: Well actually I had a job until 2008. Before that I could of actually stopped working a job but I liked having a job and dancing. My job was easy so it was fun doing both. In 2008 I decided to finally give my full time to bboyin since it was something I felt I had always got held back on a bit, with school in my teens and then with work into my 20s. So in 2008 I decided to go full time on bboyin. I moved to Richmond and started off there. My family supported after they saw me traveling and making some money from it. Which was before I quit my job. When I decided to go fulltime at that point they had an idea on what I was doing so they weren’t as concerned as when I was younger.

 

Lean: Could you give some insight to the younger bboys about consistency?

 

Rox: Consistency is very important in bboyin. I think every legend in the game has remained pretty consistent in their approach, teaching and philosophies. This will always keep you true to who you are. It will show how well you keep up with your craft, in anything in life, even outside of bboyin. Throughout your career being consistent will help your longevity.

 

"Photo by Still 1 - www.still1.com"

 

Lean: What do you love most about your traveling experiences?

 

Rox: I love traveling the world, experiencing new cultures, meeting new people and learning about their way of living. It’s like being educated about the world but hands on lessons.

 

Lean: Do you try to make it an effort to be a tourist when you go to different countries or is it strictly business?

 

Rox: I actually like being a tourist, haha I like taking pics and all that shit. You gotta enjoy it create memories that will last a lifetime. You will learn a lot of things from being a tourist.

 

Lean: Everyone talks about how Youtube has been the gift and curse of bboyin, but I remember it was a similar thing when peeps had their hands on VHS tapes. The scene is just bigger these days and more universal. Would you agree or no?

 

Rox: In one sense yea but in another no, the scene is bigger which is a whole new thing and it’s a good thing though. The thing that I feel was better with VHS is that not everyone got the same tapes. Some yea, some made it everywhere some didn’t. Some remained a mystery or a story that you could only imagine of seeing. With Youtube everything is there, I mean everything so in that sense I feel like it looses some aura to the stories that some of us grew up on. In a way it keeps that element of surprise in our culture dull. It’s almost like it’s taken for granted. Back then when you were handed a tape it wasn’t to copy people’s moves, it was for you to learn something about a style to understand what was dope and what wasn’t.  That’s why cats had to develop some kind of style or move they can call their own. That’s a reason why I feel each region had their own style, because the knowledge was local not a universal internet that packages a bboy to be able to look dope. Before you had to understand the game to be dope. I can see how it does carry some similarities though for sure.

 

"Photo by Still 1 - www.still1.com"

 

Lean: How far away are you from your 100 competition wins?

 

Rox: Right now I am 23 away! Gotta step it up! hahaha

 

Lean: I think for most of us it’s nearly impossible to retire from dancing, but do you think you will ever retire from competing?

 

Rox: Yea I don’t think I’ll ever stop bboyin, but I will retire from competition for sure just don’t know when.

 

"Photo by Still 1 - www.still1.com"

 

Lean: I’m not sure how true it is, but I have heard you tell people not to take your workshop multiple times? If this is true, could you break down why?

 

Rox: Haha naw! I have told people not to if they feel it’s the same one they took the last time or if they feel they already developed some of the stuff I taught. I actually have 3 different types of workshops I teach for different levels of bboyin. Depends how developed people are in my class.

 

Lean: I feel like most of the times when I have won battles or competitions, I was just having fun. Do you think this is the best approach for battling? What is your approach?

 

Rox: Yea, you definitely still have to enjoy what you are doing so having fun is a good thing when battling. For me it is fun but I still take it serious not to the point where I’m gonna be an asshole but to where I’m having fun going at it with people. It sometimes feels like an aggressive experience though.

 

Lean: Not many know but your favorite music to break to is Latin Funk. Could you explain why and the significance of it with your ethnical background?

 

Rox: Yea it is actually and the reason is because of the music I grew up hearing my parents play. We’re Mexican so they bumped all kinds of Latin music… Cumbia, Salsa, you name it. I like the beats and instruments they use. It’s a thing of relation. That’s what I can relate to the most because of my background and how I grew up. Attending parties and hearing music there made me want to dance. So when I hear them at jams it’s dope to me. It connects with me.

 

Lean: What was the first thing that went through your mind when you won the BC One?

 

Rox: I was like, I did it, I finally did it! It was a feeling of excitement; it just felt incredible I felt like I won the super bowl. Haha I mean being a kid and always being into sports and watching football, basketball, baseball and all that… it felt like this was that stage for what we do. So it was something amazing.

 

Lean: Now that you won Red Bull BC One, do you plan on defending the title?

 

Rox: That’s something I have to think about haha I would love to, but we’ll see how I’m feeling in the next year!

 

"Photo by Still 1 - www.still1.com"

 

Lean: Any last shout outs?

 

Rox: Shout out to my girl, my family, my boy Sauce, Kid David, Renegades, Biggest & Baddest, my SUB 4 homies, Red Bull BC One Allstars, and everyone else that are down with me! And thanks to you Lean for doing this interview and always being a real cat! Thanks man!

 

Lean: One love my brotha!

 

Be sure to check out Roxrite on these sites:

Website: http://www.roxriterepresents.com/

Twitter: https://twitter.com/RoxRite

Red Bull Bc One Page: http://www.redbullbcone.com/roxrite

 

 

 

 

Battle of the Year 2011 Short Recap!

It all came true this year, and it was even bigger and better than before. This past weekend captured some moments I would never forget. From all the partying to spinning at the highest dj booth in the game. I felt like Dj Leacy was there in spirit with me. It was dope to share these moments with my partner El Nino and a bunch of homies. It’s one thing judging events by their videos, but it’s another thing experiencing them. You have to experience this event! To think 14,000 people would pay to see some bboying is simply amazing to me. It was motivation, and also depressing to me. It was motivation for me to keep striving to be the best I can be, but it was also depressing because we haven’t had anything like this in the states. I was happy to see a crew from the states (Battle Born) to qualify in the battles and make it into the finals after a decade! The performances were great, the battles were tight, and everyone loved my sets. I would have to thank Thomas, Yalda, and Braun for making this all happen!

 

Staying On Track with DJ Kon

Staying On Track with DJ Kon!

 

Kon of the legendary duo Kon & Amir has some of the heaviest crates in the game. The Kon & Amir’s series of mixes entitled “On Track”, are undoubtedly iconic in the crate-digging world. The “On Track” mixes are known for having countless unknown original Hip-Hop samples, and obscure gems from overseas. There were a few others that had made mixes like this, but Kon & Amir’s “On Track” series seems to be the most prominent of all. If you’re a music lover, I highly suggest listening or even copping them. These mixes educate your mind and your ears. The “Off Track” series Kon & Amir released is not so far off either. Kon & Amir have also released a compilation entitled “Kings of Diggin’”, alongside the legendary DJ Muro of Japan on BBE a few years back. You could say the work on the compilation nearly proves that. Beyond collecting vinyl, Kon is one of the most passionate people about music that I know of. He is definitely a local hero to my hometown of Boston. I mean he has been part of Boston’s Hip-Hop community for nearly 30 years, and has preserved the development of it as a true culturist. Most people know him as just a DJ, but he has history as a writer, music producer, and bboy.

 

Lean: People usually say quality over quantity, but your collection is quality with quantity. I’m not going to ask you how many records you have, because that’s just lame. I seen it and I know you have some serious gems in there. The minute you step in your crib you got to make sure you’re not stepping on anything valuable. You have blessed people on nearly every continent with your passion for music. This is what life is about… it really doesn’t get much better than that! Educating the minds and ears of many. I’m sure you know I have told people about the story about when I first came to your crib, and how that was basically the breaking point for me to get more into beat digging. Whatever break my dad and I asked you about, you had or you had some obscure cover of the break that we never heard before. That was the first time I had heard or seen the Niagara “S/T” LP, De Wolfe Library “Hard Hitter” LP, United 8 “Getting Uptown (To Get Down)” 45, That Unknown “Pistol” 45 (which I just recently discovered on this “Jazz Moves with Ron Daniels”LP), and Cindy Rodriguez “What You Need Is My Love” 12’.  This had to be about 8 years ago, but I can pretty much remember like it was yesterday. That being said, I wanted to share and ask some questions about your history….

 

Lean: In your earliest memory what was the first record you fell in love with?

 

Kon: The first song that I remember would be Jefferson Airplane’s “Miracles”. A song with such a haunting melody, this is going back to when I was around 3 or 4, which most will think is bs that I can remember that far back but… it’s really the truth. The first physical records I fell in love with, one of them would be Electric Light Orchestras LP titled “El Dorado”. The cover has a close up of Dorothy’s shiny red shoes and the wicked witches green hands, from the Wizard of Oz. The music on that LP is incredible, climatic strings, and full of amazing songwriting. To digest and absorb music with such depth is the best thing for a 4 year old…. get ‘em going young, I know this is part of the reason why later in life I searched further than what was just on the radio.

 

Lean: I know you mentioned before that your mother (R.I.P) was heavily into the music, but was your mother (R.I.P) heavily into collecting vinyl?

 

Kon: My mother put me up on to so much music. When Chic first came out in 77′ we went to the record store and bought it. I vividly remember that LP being played beginning to end on full volume. “Dance, Dance, Dance” (yowsah yowsah yowsah) would get me so amped. Also, when the B-52′s first LP came out… that blew my mind, I hadn’t heard anything like “Rock Lobster” or “Planet Claire” yet. The Pretenders & the Talking Heads were my favorites as well. My mother was about 25 at the time, she stood about 5ft’ and drove a brown 1972 Lincoln Continental (a pimps ride!) with the 8 tracks playing. Those were some of the best times of my life!

 

 

Lean: You have pretty much been through the thick and thin of Hip-Hop culture. We all know Hip-Hop culture started in NYC, but from your own personal experiences when did you see it surface in Boston?

 

Kon: I’d say around 79’ with roller-skating, back then I was always going to NYC as a kid, because I have family there. But it really was booming in the early 80s here. I’d see your father’s crew, the Floor Lords down at the Aquarium and various other spots… I would see Tron, and Cisco doing windmills with leg weights on. Anybody from Boston who was into bboying or Hip-Hop culture at that time looked up to them, and wanted to be down. They were hometown legends. Thinking back to these times… what awesome memories… things were pure, and we didn’t know what was to become of any of this, we just knew we loved it.

 

Lean: You started writing before you got into djing. What was the correlation of that? Was it Hip-Hop that got you into djing or was it just your love for music? Who were the guys that you were running around with back in the days?

 

Kon: Both my parents could draw, so I was always into that. Going to NYC started all that for me. Riding the subway blew my mind. I was bit by the bug. My love for music got me into djing, I was always playing records but just not in the context of two turntables and a mixer, which came later. When I saw Wildstyle… the scene where Grand Master Flash was in the kitchen… it all clicked! I said to myself, so this is what you’re supposed to do with all these records. The writers I was running with were Chronic who was in TAA (The Allied Artists) they were an all Latino crew, and to me by far had the most prolific styles aside from Click and Maze at the time. Also Tale, Sick, sometimes Mass, Jayroc, Start, Net, Gun, Bones, Chip, man… the list is long and this was 85’,86’… Boston’s golden years!

 

 

Lean: Not many know…. but you were a bboy at one time, how did that come about?

 

Kon: Yeah, I was so into it… I guess for me, it grew out of roller-skating. Again, I would see crews like the Floor Lords and a few others getting down, for me there was a real magic in the air. I wish I could still bboy today, now I just sit back and watch yall do it…always puts a smile on my face.

 

Lean: Was there any DJs from Boston back in the 80’s that were collecting breaks that may have inspired you?

 

Kon: Well, there was DJ Jesse McGee ( I may have spelled it wrong ) he was incredible! Jesse was this white dude from Cambridge who just dominated. He was on the radio and I would learn from listening to his mixes… at the time, he was doing innovative things… mixing & cutting up David Bowie’s “Young Americans” with Eric B & Rakim’s “Paid in Full”. He was then murdered after some guys tried robbing him on the subway. I was shocked, and saddened. DJ T-Clark was also killing it, DJ M&M, Ninja B,  and DJ Shame were really into breaks and vinyl. There were a few DJs from Boston that were really dope that never got the shine outside of home.

 

Lean: What intrigued you into exploring music that people weren’t up on yet? When did you notice the whole beat digging thing become an underground phenomenon in Hip-Hop culture? (Private/indie label releases, international releases, obscure promo releases, etc.)

 

Kon: My passion for music itself did that. Pops was a drummer, and I started drumming around 4. All the variations and rhythms within music had me hooked. I would listen to a Rolling Stones record and wonder why the snare sounds different then it does on say on a Led Zeppelin or Stevie Wonder record. So that right there… is what making records is all about. Studio production techniques, which at the time I didn’t really know too much about yet. It was about 86’, when I noticed rap music changing with samples. I heard Ultramagnetic MCs “Ego Tripping”, and was like WTF! What, who and how did they get these drums to sound like this. Later we all found out it was Melvin Bliss “Synthetic Substitution”. Then in the late 80s and early 90s it all just blew up. There have always been record collectors, but this new breed of diggers grew around that time.

 

 

Lean: If I’m right you met Amir at Biscuithead Records nearly 15 years ago, but when did you guys actually decide to partner up?

 

Kon: Yup, we just discovered we had similar friends, and loved music…. It was in 1996 when we decided to just make a tape kind of like DJ Shame did… for ourselves really.

 

 

Lean: What was the inspiration behind the whole “On Track” mix series you guys put out?

 

Kon: Well, rap music at the time, was all sample based. We knew a lot of the sources and wanted to put them to tape. The earlier “On Track” joints weren’t even really about mixing or blending… more so about theme.

 

 

Lean: Who the hell came up with the name “Uncle Junior’s Friday Fish Fry” compilation you guys came out with? Haha! Who had more say on which records were making the compilation?

 

Kon: That was the label’s doing. Both Amir and I split songs, but I programmed and mixed that cd live… It was just 2 turntables recording directly into a stand alone cd burner.

 

 

 

Lean: You sent me your “Pop In Trans-Euro Express” mix awhile back, a mix full of obscure European joints. It’s a lot easier getting the Euro records online nowadays, but what was the process of getting your hands on these records back in the days? (I know getting doubles of some of these records must have been a b*tch back then!)

 

Kon: Well, luckily for us we had a few friends that were from Paris. The homie Roman aka “Lord Funk” and Aldo. They both worked at A1 in NYC at the that time. These 2 dudes knew all the heat. I learned a lot from them, as did many others. Aldo found out I was into disco, and then things got even crazier.

 

 

 

Lean: Some of us have heard the stories of you and Amir going to some basement that was probably toxic to your health, Amir finding crack vials in record sleeves, and Amir finding naked pics of people in record sleeves… but could you share another crazy story of digging with us?

 

Kon: I don’t really have any spectacular story… ha! The best being the sewage flood in storage units. Mask and gloves for about 8 hours, my hands got all soggy and were like prunes from the rubber gloves.

 

Lean: You have some history of with music production on Rawkus Records (one of the few Hip Hop indie labels that made quite the run for some years)… Could you give us some brief history about your music production career?

 

Kon: Well, the 1st record I ever did along with this other guy named “Supe” was for a J- Treds track called “Praise Due”, and that was on Bobbito’s “Fondle em” label. Then I did the Ripshop 12″ on Rawkus. I grew tired of trying to place beats with rappers… and rap music fell the fuck off…. so I stopped producing. I’m back now though, better than ever!

 

Lean: To many you are an encyclopedia of beats. I’m not sure if I’m bugging or not but I remember we were all in LA maybe 7 years ago…. and you were telling my dad that Kanye was trying to get some samples off of you. Do you get a lot of producers that hit you up for samples?

 

Kon: Well, Kanye couldn’t remember what he sampled. So I got a call from Mr. Porter from Detroit, asking me if I could find out. Then I got a call from Capitol records… and so on. I did send CDs to Dr. Dre and was getting checks from Aftermath. That didn’t sit well with me, because I was getting a flat fee. If Dre used a sample that went on to be a classic…. I was getting nothing. So I stopped doing that.

 

Lean: You got to perform alongside the legendary Bernard Purdie a few years back, could you explain the experience of that?

 

Kon: WOW! I had dinner with him as well. The Red Bull guys were supposed to interview him, but compared to me… didn’t know shit about him. I picked his brain throughout dinner. He loved it, telling his stories… and boy does he have some. Experiences like this is what it’s all about for me. I was so geeked, onstage filming him! None of it was rehearsed, we just went in.

 

 

Lean: Who would be the next musician you would want to collab with?

 

Kon: Man, like in dream world…. Chaka, Grace Jones, Alicia Myers, Charlie Wilson, I could go on…. on the rap tip.. Mf Doom, Ghost. Not many for rap though.

 

Lean: Everyone disses Serato, but you have proved that it can be dope based on how you use it. I think you were the one that put me on to game with the re-edits and multi-tracks of joints you would think it’s impossible of getting your hands on. What are your thoughts on this?

 

Kon: I think there are too many politicians in the game. Fuck them. Real recognize fake. Who cares what medium I choose to play my music from. It’s a DJ’s skill set and taste that matters. Music is meant to be shared and spread to as many as possible. We are messengers, period. The music and sounds that are blasting out the speakers into the air… nobody owns except the actual musicians. You may own the little piece of plastic it’s recorded onto… and that’s it. Fools need to stop trippin’. I’m not caught up in the hype… I know I still buy vinyl and it’s the coolest medium to store music on, nothing can beat it… the feel, the smell, the labels and so on…BUT I can’t take vinyl with me when I die. Now the sounds that have fed and nourished my soul…. I take with me everywhere I go, and I can take with me to the grave or where ever I end up when my physical shell can no longer take it… the music itself is staying with me forever.

 

Lean: I’m not sure if you knew about it… but your “Kings of Diggin’” compilation has ended up in the possession of many bboy DJs. I know your side had more disco joints on it, but I have heard a many heads rock out that Master Story Teller “Pay Pay Pay” at jams. On Muro’s side, I have heard a lot of heads play out the Seguida “Mambo Rock” joint. Did you know that this compilation would have an impact on the bboy scene?

 

Kon: I had no idea. I really didn’t know how to approach it, my biggest contribution was the Matt Cassell jam. I’m glad bboys dig it.

 

 

Lean: You were really sick for a while, and people from all over the globe were doing benefits for you. Even DJ Spinna managed to put a benefit together for you at Santos Party House (NYC) with some of the best DJs in the world on the wheels. How did this make you feel, and did this change your aspect on life?

 

Kon: I had a near death situation. In the blink of an eye… my life was turned upside down. It was a private matter at first, then the word got out. When all these people around the world, people who I knew and didn’t know came together like that, it was unbelievable. I cried. Deeply moved. Humbled. So many people get sick and nobody cares… I felt like, damn… I’m nobody, look at all the love I’m getting. I believe it helped me fight, and get back on my feet. Overall, it made me think about the things in life that really matter… I mean I could barely breath, so taking a breath meant so much. It affirmed what I already knew… don’t stop doing what you’re passionate about and when doing so, don’t care what people have to say about it. There are no rules. I can never repay those who supported me. I wish I could, my way is just to keep doing what I was doing to begin with I guess.

 

Lean: It seems like people love using the whole Kon & Amir thing on ebay to rack up record prices. What are your thoughts?

 

Kon: The hype factor on ebay…. I don’t care really about it. If they make some $ using my name, what can I do. It’s business for them. If anything, give me a record they have stock on… let me do work with it, and help blow it up.

 

 

Lean: You get to travel the world, and I have been lucky enough to catch you in different cities across the globe. What do you feel the Boston nightlife needs to make it as good or even better than the nightlife in NYC, SF, or let’s say Austin?

 

Kon: Boston will always be wack. It’s a joke! Nothing will save nightlife club culture in this town. There is nothing I can suggest that will make it better. Promoters here don’t book DJs that they like, they book only from a place of how much $ they will make. As for the live band scene, it’s totally different… it kicks ass here.

 

Lean: I know you collect kicks as well as many other things… Aside from records, what is the most valuable thing you have in your collection (doesn’t have to be the most expensive thing)?

 

Kon: My original letterhead invite from West End Records typed in 1977. Pre Paradise Garage, where its stated “Paradise Garage is about to take over NYC with its sound system”. They had no idea what Larry Levan would go on to do…. for music and DJ culture. Larry was one of the first, and a key figure into making the DJ go on to being what you see today.

 

Lean: I remember you telling me that one of the records you it took you years to find was the Stark Reality joint. Now that you have had it for a while, would you ever consider selling it or trading it (if you haven’t)?

 

Kon: Nope!

 

 

Lean: You have your Kon & The Gang album coming out, in which you worked with some incredible local musicians. The “Sunlight” 12’ was just recently released… is this really something you see yourself working on more in the future?

 

Kon: Yes, I love the combo of sample-based and session players style of production. We can’t attain the sounds and technique used from the records we sample… so much goes into that, how it’s mic’ed eq’ued mixed, etc… Session players give you unlimited options and when you put the combo together…. to get your vision across… it’s the best for me.

 

 

Listen to it below!

Kon & The Gang – Sunlight (Original + Dub) [HOTGOLD VI] by Hands Of Time

 

Purchase the 12’ here: http://www.turntablelab.com/the-wall/0/30/91890.html

 

Lean: Even though some people proclaim you as a “King of Digging”, I have heard you say that you are not a king… but a student of music and life.  What message do you have for the youth of Hip-Hop culture?

 

Kon: Yeah, I’m the King Of Nothing >> King Of Nonsense. There are no kings of digging. When you think you know it all, you find out you don’t. I’m always learning, and passing along info. Guys like yourself are now repping this culture… the youtube generation doesn’t always get it… which is a shame because the internet is powerful to learn history from. We must always look to our past in order to move forward. It’s important to know who you may have got a piece of your style from, without even knowing it. Trace the roots. Life runs in cycles, kids need to know what they think is fresh and new, really isn’t. It’s just a new form of it. Each one, teach one.

 

 

Lean: Any last words?

 

Kon: Peace to all who support and keep the dream alive.

 

Lean: Thanks Kon!

 

Be sure to follow Kon on twitter

http://twitter.com/KON1200

 

Kon’s blog

http://playin4keeps.blogspot.com/

HighlighTexas

 

I’m finally back from an epic weekend in Houston. I made a post about the upcoming Houston trip last week, and for the most part I was right about most of the things. Break Free was successful, and loads of fun. Easily one of the best jams in the states. My favorite things that happen at most jams are usually the festivities that go on before or after the jam. Here are some of the highlights from this past weekend!

 

1. One of the first stops in Houston was Taqueria Laredo. Best fajita tacos ever!

 

2. MC Ultra killing the freestyle.. Hottest kid in the streets right now!

 

3. Watching the tutorial of “How to Shake Your Ass like Beyonce” on Youtube with Jeremy, Palmer, Pook, and Frantic. Palmer & Jeremy’s dad walks into the room and says “Hey son what are you doing?”… lights were off and bunch of dudes watching a hilarious but suspect video. Super hilarious but definitely a pause moment LOL

 

4. Zeshen & Rudy Rexx’s alter egos… The “Know the Ledge” joint was crazy funny.

 

5. Nasty Ray at Boondocks… killed the cyphers LOL

 

6. Playing ball on a 9 foot hoop with Ruen, Mijo, Pook, and Jeremy. I was dunking on everyone! Get big!

 

7. Cyphering til 5 am on Friday night. Blame Canada! Damn you Gadget and you’re Dutty Mix! I’m still hurting and tired from that night. Wild night!

 

8. Pook crashing into some dude in the crowd mad hard LOL Zeshen getting hype then dying LOL. Both happened in the 7 to smoke.

 

9. The tacos at Break Free Day 1! Bomb!

 

10. Gibson trying to hump everyone.

 

11. The Top 16 battles were pretty much all fire. Djs did a great job keeping it hype!

 

12. Ecko vs Vicious Victor. I wasn’t there to see it, but it was still funny to hear about.

 

13. Biggest surprise: Rudy Rexx and Ray making it all the way to the semi-finals!

 

14. Pook winning another 7 to Smoke.

 

15. Renegade and his horrible bboy names for Jeremy HK. One being.. “Bboy Fierce” LOL

 

16. Watching the Joe Hogan video.

 

17. Frantic making french toast for us at 5 am. The breakfast of champions!

 

18. Seeing all the homies and some crew! Gadget, Ray, Rox Thesis, Mex, Magic, Moy, Adrian, Keith, All of HK, Zulu Kingz, All of the djs for the event, Frantic, Lady Bug, Recon, Josiah, Gibson, etc.

Good Morning World!

Good morning to all my worldwide peeps! I’m feeling well, and ready to get the day going. I’m over here brainstorming… and planning on the next moves. I can’t sit here forever though, got to get out there and do work! Network, work, and then practice!